The Fred Rogers Archive preserves over 22,000 items from Fred Rogers' personal and professional life. The Archive is essential to the work of the Fred Rogers Institute, and is a source for research into children’s television, early childhood development, and Fred Rogers’ unique role in bridging both fields. Undergraduate students, graduate students, and researchers may request access provisions to study Fred’s life and legacy. Please complete the form below to reach out to our Archivist. Below, you can explore a sampling of the Archive - you're sure to find a treasure!
In 1995, Fred Rogers devoted a week of programs to angry feelings. When Fred was angry, he would go to the piano and play out his feelings. During this "Mad Feelings" week of programs, viewers meet special guests and hear how they handle their emotions.
Fred Rogers appreciated the great role he had of being a television host that was with families five days a week. He took his work seriously and always insisted on the best for children. In 1975, Fred participated in a symposium sponsored by Johnson & Johnson.
Mister Rogers talks to his viewers about divorce. He says that even though it is an adult issue, it is an important matter that everyone can talk about. Mister Rogers pretends that the king, queen, and prince are having a picnic. In the park, the king and queen have a number of disagreements.
Art Vogel was a cameraman at WQED who spent many years filming Mister Rogers' Neighborhood. Vogel witnessed some of those times when Fred would go to the piano to express his anger.
Chuck Aber was a frequent neighbor on the television program, both in Mister Rogers' real world and the Neighborhood of Make-Believe. In this oral history, Aber remembers rehearsing for the television operas, specifically "Josephine the Short-Neck Giraffe" and "Spoon Mountain."
Fred Rogers first sketched out the idea for this story in 1950. Josephine is a giraffe with a short neck who is desperate for her neck to grow so she will look like her parents and other giraffes. In 1989, Fred produced the story as an opera for Mister Rogers' Neighborhood.
In the week of programs about "Play," Mister Rogers plays with wooden blocks and a toy tractor. He and other musicians try out different instruments throughout the week, and Mister Rogers even walks on stilts.
Fred Rogers composed all of the music for Mister Rogers' Neighborhood. He studied music composition at Rollins College and continued to write for the rest of his life. For Fred, the piano represented more than work; it was therapy and a means for him to play and explore.
David Newell played Mr. McFeely for the entire run of Mister Rogers' Neighborhood. He explains that Mister Rogers' Neighborhood was filmed like a live show, with very long takes. Although Fred was not always comfortable in front of the camera, he would light up when Mr. McFeely came to the door.
If you have an item you believe belongs in the Fred Rogers Archive, please let us know! The items in the Archive must be directly related to Fred Rogers and his production company. We do not accept self-created items such as creative, journalistic, or research writings, or artwork. We do not purchase items to include in the Archive or sell memorabilia from the Archive.